Gold Tiger Desert Eagle Price

"DESCANSO Nino" SINGING Atahualpa Yupanqui

There was still the world music but already there was music in the world. Especially not the raging ethnic music merchant with its dogmas: you are ethnic, not me. A poet, musician, was walking " I am happy to go through the world, I live where lurks the music" . Hector Roberto Chavero was born in 1908 from parts of Pergamino, Argentina. ... green performance in the race to chase ... as always chasing, to be followed still, up to the lakes of silence ... as long as white or some other god Atahualpa not tell you: descanso niño, I keep ... I " sings Elvis .

Atahualpa Yupanqui is the pseudonym Chavero assume that since adolescence. Atahualpa, name of the last Inca king, to be killed by treachery by Pizarro in 1553. Yupanqui, an Incan who introduced celebrations of music with the fun-flutes. Ata means coming from afar, allpa , land. So come from the deep earth . Sing, say, instead telling the sense of Yupanqui. Check that a nomination was beautifully defined a life of sounds and thoughts. In blood galloped three hundred years of history Latin American ancestors basque, Creoles, Indians, drawn on his face before he opened his mouth. Bagualas, vidalas, Zambas, gatos, chacaceras and milongas were in his guitar, a form of popular music transformed by his singing and his poetry. He could be a nice treat for the car tritamusiche: Argentina and the other, that's not dance, no tango. Shot on video with frills ethnic palates would have the happiness of multimedia. Instead he died in France in the ' 92 to eighty-four.

From the beginning it was rune allpacamaska \u200b\u200b, man is the land that goes, as they say in Quechua. "When want to stop, was the night and took me away " . A walker who has always raised his hand to say goodbye, but he knows that the tree always remembers that you've forgotten about you, if siempre Acuerdo de ti . In '33 embarks on a brief adventure revolutionary and must flee to Uruguay, from '45 to '53 joined the Communist Party to oppose the military dictatorship and then the government of Peron . Banned, can not appear in public or affect. But the form of his art does not need a uniform to be what it is, the song of the forgotten men, Olvidados los hombres. why his songs often have an internal sense of worth. Songs? Are Der Wanderer and Gretchen am Spinnrad of Franz Schubert ? Just understand the words. The pitch of the symbols through his singing is in a universal drama in which the sound and words fracture limits and open up new spaces. The man is at the heart of this liturgy. They were the voices of his childhood to be his first conservatory "Nobody sang frivolities. The fate of hand was serious because he was tied to the destiny of man 'The asombro , the wonder would always accompanied. Even when he was traveling with other musicians countries, lay a sheet between two trees and western projected before pick up the guitar in hand. 20 centavos for who was on the right side of the sheet 10 for those who watched the film from behind. A guitar, its not amazing, not your fingers from burning virtuosity. Rather than a hand corrugated look for the silence: "There is silence in my guitar when he sings the yaraví. And the best of my song is still inside me ". Not the caricature of silence mutism, the absence of speech, but its full potential modulation, matrix of words in the future. The tremor of giving birth to a song through a simple language, a word desnuda as the one used by Anton Machado . The musical and poetic description of a township is any description of the world. Atahualpa knew always knew how Bela Bartok, Villa-Lobos or , who controversially said "The folklore is me!" I would have practiced "scientific" in 1949, accompanying the French anthropologist Alfred Métraux to meet Men of God, the Christ, the preachers of messianism Guaraní and gauchos, to follow the traces of migration to the Land without Evil . The same encounter with the suffering humanity and thinking would have led Japan to listen and sung a lullaby of women in Hiroshima, " That night was your night, Kimono torn, so it was all alone on the earth " .

In 1949, Atahualpa is a tour to Europe, the East first, then Paris, where he met Aragon, Matisse, Paul Eluard , Who introduced him to that other voice that was trembling Edith Piaf . At the height of success Edith wants with them in concert " with me, I was a black man who was hiding behind his guitar " . Europe, some in Europe, recognizes the universal sound of his words, more than it did in Buenos Aires, still remembers him as a decent folk guitarist. Universal, not international, as he liked to point out. Atahualpa returns nothing of the picturesque, his hand is a stern, which sets to music a poem by Julio Cortázar or zamba country. Maybe that's why he had been assigned Tenco Award in 1980. Its rigor is not a technical matter " art, or what they carry inside, this mixture of twenty called my life, kept me Always a proud and honorable verticality. So I can sleep in peace, and even die in peace. Vertically ".

In his discography 42 tracks named after Pablo del Cerro as the music. That Antonieta Paula Pepin Fitzpatrick , wife of Atahualpa. Diploma in piano and composition in France, a friend of Arthur Rubinstein , valuable interpreter of Beethoven and especially Bach, in Bach that he said was Ata "cosmic the air that my bowels require ". Presence of a woman who is not a proclamation of silence but a condition of life.

writer Atahualpa Yupanqui also found in the book called Song of the Wind, The sacrifice of Tupac-Amaru, The sacred word, a solitary stone, Earth goes . A Latin America that goes beyond the thought of our narrow mental geography. But most of all the meetings Atahualpa Yupanqui where music and thought merge, "Quien llevar la muerte adentro / keep a fuerza vital / Who carries with it the death / has a life force "

So I wrote up The Manifesto of January 24, 2001. This is an opportunity to highlight two particularly interesting musicians.
Hilda Herrera The pianist has also released a CD devoted to the music of Atahualpa Yupanqui and is a wonderful interpreter of folk music Argentina.
Here [ http://www.youtube.com/watch?v=OfiW--pEr0o ] in an intense interpretation of C HIS of Abajo Carlos Gardel .

Maria Elena Walsh died last January 10. She was born in 1930 and his was a multifaceted activity: composer, poet, writer. His song Oracion a la justicia was written during and against the military dictatorship here [ http://www.youtube.com/watch?v=RM2dMipNipk ]

interpreted by the historian Quarteto Zupay . But Walsh was especially known for his lyrics and his music for children, never dull and full of clever ideas. I think that was translated into Italian by just Salani I'll give you an elephant. Even his music is little known and it is a shame:

Here [ http://www.youtube.com/watch?v=tQUhgkdKc40 ] animation of some of his songs.

This is the summary obituary The Manifesto of January 12 :

• If leaves Argentina's Maria Elena Walsh, children's writer and songwriter. And

ra one of the most famous authors of children's books in Latin America, Argentina Maria Elena Walsh, who died eighty years old last night in Buenos Aires after a long illness. But his fame was not only linked to the texts for children (the most famous "Pocopan ',' I'll give you an elephant," published by Bloomsbury in Italy and, above all, "Manuela, the turtle). Born in Buenos Aires in the '30s, he began very young with the verses that earned him an invitation in the U.S. by Juan Ramon Jimenez. In '52 he left for Paris where he formed a duo with Leda Valladares dedicated to the spread of Argentine folklore. It was then that he began to write books for children, but also songs performed by singers as Victor Heredia and Mercedes Sosa. The most famous, "The cigarra ', written in '73, which alluded Walsh was forced into exile during the rule of Peron, but became a song loved by all the songwriters who are victims of military dictatorship.